The other people on the train had no faces. Their conversations were not made of words, but overlapping differently colored noise, looped in waves of approval. They were cardboard cutouts, animatronic puppets there to give a sense of legitimacy to the whole enterprise. Only one seat remained. Leslie went straight for it and fell immediately asleep.
Ezekiel stood and surfed with the curves of the rails. On occasion, he had to take a step forward or back to maintain his balance, and sometimes he was knocked to the ground by a sudden stop. He bumped against a couple with their lips locked against the other’s. The heads came off together, and the hydraulics behind them continued to pump and gyrate.
“Excuse me,” Ezekiel muttered, propping them back on their perch. The train lurched to the left and to the right until he admitted to himself that he had to hold onto something, lest he end up in someone’s lap.
When he held onto the pole, the train seemed stopped. He felt foolish clutching so tight, but he had nothing else to steady him. He was on display. The audience was trying to ignore him, which only made him more self-conscious. They looked in no direction without faces, all facing the center where he was dancing. They were not looking at him. They were not looking at anything. They were incapable.
Leslie sat in the corner, asleep. Ezekiel told her she had the right to remain silent, and that anything she said could be used against her in a court of law. She had the right to an attorney.
Some of the cutouts scoffed and sputtered. One of them spit in his direction, though it was just a malfunction. Ezekiel had a conversation.